Nine Ways to Give a Better Book Reading

In today's guest post, media training expert Brad Phillips explains how to make your book reading an effective selling tool.

We’ve all been to that book reading – the one where the book’s author is so dull that you decide to return the book to the store shelf and buy something else instead.

I’ve been to many book readings through the years, and only a couple stand out as exceptional (Dave Eggers’ reading for A Heartbreaking Work of Staggering Genius was a rare gem).

The good news is that it’s not hard for authors to improve their readings. In this article, I’ll offer nine tips writers can implement immediately to inspire audience members to buy at least one copy at the store – and sell many more through word of mouth.

1. Test The Microphone and Logistics in Advance: This is an easy one, but too many authors approach the lectern for the first time when they’re about to begin their reading. Inevitably, they have to adjust the microphone, figure out where to place their water, and arrange their papers. Avoid that lousy first impression by arriving early, taking in your surroundings, and testing the microphone before the first person arrives.

2. Don’t Begin With Thank You: Book readings represent the culmination of a years-long writing and publishing process, and authors are understandably grateful to those who have helped them reach that moment. But authors who begin by thanking their publisher, editor, cover artist, publicity staff, and spouse risk putting their audiences to sleep.

Remember – a book reading is an opportunity to sell your book. If you begin your speech with a soporific or redundant opening, you’re less likely to achieve your goal. Begin with something that grabs the audience’s attention first – then go back, if necessary, and deliver your thank yous.

3. Don’t Read The Book to The Audience: Your audience can read your book themselves. Little is more monotonous than hearing someone else reading words aloud. Great authors elevate the text by using a compelling vocal delivery to emphasize key phrases, increasing the tempo to build suspense, and modulating their volume to match the content. Listen to a bestselling book on tape to get a sense of how the pros do it.

4. Match the Talk to Your Strengths: Are you a great extemporaneous storyteller? Why kill that part of your personality by merely reading from your book? Instead, consider reading a small excerpt of the book, then telling an extemporaneous story (you can alternate between the two throughout your talk).

5. Err on the Side of Too Little: How long should your talk be? Just long enough to sell your book, and not a moment longer. That’s a hard balance to strike, but my bias is to be on the slightly too short side (perhaps that’s because I’m 5’5″. But I digress.) It’s better to leave your audience wanting more than to wear them down – so keep the reading to about half an hour (experienced speakers can go a bit longer), plus 15-20 minutes for questions. Stick around afterwards to answer remaining questions from audience members who approach you.

6. Set Up the Questions and Answers: Before you begin taking questions, tell the audience how long you plan to answer questions. Twenty minutes might feel like an eternity if they have no clue how long you’re planning on going, but it’s fine if they can anticipate when the ending point will arrive. Keep your answers short – five-minute answers tend to bog down the question and answer portion of the talk.

7. Prepare for the Obvious Questions: A surprising number of writers fumble through their answers to basic questions. Think through the answers to the most obvious questions in advance, such as:

• “What does the title mean?”
• “What did you learn when writing the book?”
• “What was the biggest surprise along the way?”
• “What did the subject(s) of the book think of it?”
• “What are the subject(s) doing now?
• “Was the character inspired by a real person?”

8. Repeat Questions for the Audience: Since many book readings are recorded, this is important even in small groups when everybody can hear the question.

9. Don’t Limp to the Finish Line: Great books have a great closing, and so do great book readings. Instead of ending your talk the moment you finish answering your last question, provide a quick wrap-up. Your official closing doesn’t have to last long – 30- 60 seconds is fine – but even those few seconds allow you to leave the audience remembering exactly what you want them to.

If you’re stumped, try adding a very short anecdote at the end. Choose one that is emblematic of your book’s theme and that helps reinforce one of your book’s main takeaway points.

ABOUT THE AUTHOR

Brad Phillips is the president of Phillips Media Relations, a media and presentation training firm with offices in Washington, DC, New York City, and Los Angeles. He has trained thousands of media spokespersons, and is regularly quoted as an expert by the media. He is also the author of the Mr. Media Training Blog, one of the world’s most-visited media training websites.

 

Comments

[James]

Brad, Point number 2 may set some back, but it is correct on putting people to sleep. Point number 4 a person referenced to me just recently. In an effort to sound very clear, I was leaving out my personality. Thank you for this must read article.

[Dana Lynn Smith]

James, I'm glad you found Brad's article helpful. Good luck with your book!
Dana

[Tony Eldridge]

Brad, great tips for readings! I have not done a public reading of my work before, but you have given me a great guide for the first time I do.

[Brad Phillips]

James and Tony - Thank you for your kind comments - I'm glad this article was helpful for you.

Dana - Thank you for your support in posting it!

Best wishes,
Brad

[Angela]

I agree about not reading too much, unless you can really "act" your story through your reading.

[Dolly Paolucci]

Great points brad, especially Point number 3. It's right on the money. This would be a great time to show everyone the emotion inside the book that can be unlocked.

[Dana Lynn Smith]

Thanks Dolly - you make a good point about the author being able to convey the emotion of the story.